Á¦835ȸ ÇϿ콺ÄܼƮ in ¿¹¼ú°¡ÀÇÁý
ÀÏ ½Ã ¤Ó 2021³â 7¿ù 4ÀÏ(ÀÏ) 5½Ã
Ãâ ¿¬ ¤Ó ±×·¹À̽º ¿©(Piano)
¿À¿¬ÅÃ(Piano)
Á¤´Ù½½, Àϸ®¾ß ¶ó½¬ÄÚÇÁ½ºÅ°(Piano)
Àå ¼Ò ¤Ó ´ëÇзΠ¿¹¼ú°¡ÀÇÁý 3Ãþ
ÁÖ ¼Ò | ¼¿ï½Ã Á¾·Î±¸ µ¿¼þ±æ 3 (µ¿¼þµ¿ 1-130)
ȸ ºñ | 1ÀÎ 30,000¿ø (*»çÀü¿¹¾à/30¸í)
¿¹ ¾à | º» °ø¿¬Àº ¿¹¾àÀÌ ¸¶°¨µÇ¾ú½À´Ï´Ù.
¹® ÀÇ | 02-576-7061, 010-2223-7061
ÈÄ ¿ø | Çѱ¹¹®È¿¹¼úÀ§¿øȸ, SBS¹®ÈÀç´Ü
Æ佺Ƽ¹ú Àüü ÀÏÁ¤ ¹× ÇÁ·Î±×·¥ º¸±â : blog.naver.com/julyfestival/222383001381
PROGRAM
Johannes Brahms (1833-1897)
Variations and Fugue on a Theme by Händel in B-flat major, Op.24
1. Aria
2. Variation 1
3. Variation 2: Animato
4. Variation 3: Dolce
5. Variation 4: Risoluto
6. Variation 5: Espressivo
7. Variation 6
8. Variation 7: Con vivacita
9. Variation 8
10. Variation 9: Poco sostenuto
11. Variation 10: Energico
12. Variation 11: Dolce
13. Variation 12: Soave
14. Variation 13: Largamente, ma non più
15. Variation 14: Sciolto
16. Variation 15
17. Variation 16: Ma marcato
18. Variation 17: Più mosso
19. Variation 18: Grazioso
20. Variation 19: Leggiero und Vivace
21. Variation 20: Legato
22. Variation 21: Dolce
23. Variation 22
24. Variation 23: Vivace e staccato
25. Variation 24
26. Variation 25
27. Fugue
- ±×·¹À̽º ¿©(Piano)
Variations on a Theme by Paganini, Op.35
Book 1
1. Theme: Non troppo Presto
2. Variation 1
3. Variation 2
4. Variation 3
5. Variation 4
6. Variation 5
7. Variation 6
8. Variation 7
9. Variation 8
10. Variation 9
11. Variation 10
12. Variation 11: Andante
13. Variation 12
14. Variation 13
15. Variation 14: Allegro
Book 2
16. Variation Theme: Non troppo Presto
17. Variation 1
18. Variation 2: Poco Animato
19. Variation 3
20. Variation 4: Poco Allegretto
21. Variation 5
22. Variation 6: Poco più Vivace
23. Variation 7
24. Variation 8: Allegro
25. Variation 9
26. Variation 10: Veloce, energico
27. Variation 11: Vivace
28. Variation 12: Un poco Andante
29. Variation 13: Un poco più Andante
30. Variation 14: Presto, ma non troppo
- ¿À¿¬ÅÃ(Piano)
Liebeslieder Waltzes, Op.52a
1. Rede, Mädchen (Speak, maiden)
2. Am Gesteine rauscht die Flut (The flood rushes beside rocks)
3. O die Frauen (Oh these women)
4. Wie des Abends schöne Röte (Like evenings beautiful amber)
5. Die grüne Hopfenranke (The green hop-tendril)
6. Ein Kleiner, hübscher Vogel (A little, pretty bird)
7. Wohl schön bewandt was es (Formerly it was well ordered)
8. Wenn so lind dein Auge (If your eye as mild)
9. Am Donaustrande (On the Danube shore)
10. O wie sanft die Quelle (Oh how gentle the well)
11. Nein, est ist nicht auszukommen (No, one can’t get along)
12. Schlosser auf, und mache Schlösser (Locksmith get up and make locks)
13. Vögelein durchrauscht die Luft (Little bird rushes through the air)
14. Sieh, wie ist die Welle klar (Look, the wave how clear)
15. Nachtigall, sie singt so schön (Nightingale, you sing so beautifully)
16. Ein dunkeler Schacht ist Liebe (Love is a dark shaft)
17. Nicht wandle, mein Licht (My light, don’t walk)
18. Es bebet das Gesträuche (Bushes are trembling)
- Á¤´Ù½½, Àϸ®¾ß ¶ó½¬ÄÚÇÁ½ºÅ°(Piano 4-hands)
PROFILE
±×·¹À̽º ¿© | Grace Yeo (Piano)
±×·¹À̽º ¿©´Â ¼¿ï´ë, ·±´ø ±æµåȦ À½¾ÇÇб³, ¿µ±¹ ¿Õ¸³À½¾Ç¿ø¿¡¼ ¼öÇÐÇß´Ù. ·±´ø À§±×¸ð¾îȦ, ·Î¿Æ佺Ƽ¹úȦ, Äý¿¤¸®ÀÚº£½ºÈ¦ µî¿¡¼ÀÇ ¿¬ÁÖ·Î ¸¹Àº È£ÆòÀ» ¹ÞÀº ±×´Â ·±´ø ·Î¿ ¾Ë¹öƮȦ ¹× ºó ¾ß¸¶ÇÏ ÄܼƮȦ µî¿¡¼ Çù¿¬ ¹«´ë¸¦ ¼±º¸¿´´Ù. ¶ÇÇÑ À¯·´ÀÇ º£Å亥 Çùȸ ÁÖÃÖ ÇǾƳë ÄáÄí¸£ 1À§ ¹× ¾Æ¸£ÄÁ©·Î ½ºÆä¶õÀÚ ±¹Á¦ ÄáÄí¸£¿¡¼ º£Å亥 Ưº°»óÀ» ¼ö»óÇÏ¸ç ±¹Á¦ÀûÀ¸·Îµµ ½Ç·ÂÀ» ÀÎÁ¤¹Þ¾Ò´Ù. ÇöÀç ¼¿ï´ë¿Í ¿µ±¹ Å·½º Äø®Áö ¹× ¿¹¿øÇб³, ¼¿ï¿¹°í¿¡¼ ÈÄÇÐÀ» ¾ç¼ºÇÏ°í ÀÖÀ¸¸ç, ¿µ±¹ ÇǾƳë À§Å© Æ佺Ƽ¹úÀÇ »óÁÖ ±³¼öÁøÀ¸·Î Âü¿©ÇÏ°í ÀÖ´Ù.
¤Ñ
¿À¿¬Åà | Yeontaek Oh (Piano)
¿À¿¬ÅÃÀº ¼¿ï¿¹°í, ¼¿ï´ë¸¦ °ÅÃÄ ¹Ì±¹ ´ºÀ×±Û·£µå À½¾Ç¿ø, Æĸ® ¿¡²Ã³ë¸£¸» À½¾Ç¿ø, µ¶ÀÏ ÇÁ¶óÀ̺θ£Å© ±¹¸³À½´ë¿¡¼ °øºÎÇß´Ù. Áß¾ÓÀ½¾ÇÄáÄí¸£¸¦ ½ÃÀÛÀ¸·Î ÇÁ¶û½º ¸®¿Ë ±¹Á¦ ÄáÄí¸£, ÀÌÅ»¸®¾Æ Æȸ¶µµ·Î ±¹Á¦ ÄáÄí¸£, ÇÁ¶û½º ¾Æ´Ï¸¶Åä ±¹Á¦ ÄáÄí¸£, µ¶ÀÏ ¾Æ¸£Åõ¸£ ·¾Æ¾ ÇǾƳë ÄáÄí¸£ µî¿¡¼ ¸ðµÎ ¶Ù¾î³ ¼ºÀûÀ¸·Î ÀÔ»óÇß´Ù. Á¶¼±ÀϺ¸ ½ÅÀÎÀ½¾Çȸ, ±ÝÈ£¿µ¾ÆƼ½ºÆ®ÄܼƮ, TLI¾ÆÆ®¼¾ÅÍ, Æòâ´ë°ü·ÉÀ½¾ÇÁ¦¿¡ÀÇ ¿¬ÁÖ¸¦ ºñ·ÔÇØ ´Ù¾çÇÑ ¿ÀÄɽºÆ®¶ó¿Í Çѱ¹, ½ºÆäÀÎ, ÇÁ¶û½º, µ¶ÀÏ¿¡¼ ¿¬ÁÖÇßÀ¸¸ç, ÇöÀç ¸ÇÇØÆ° À½´ë ¹Ú»ç°úÁ¤ ÀçÇÐ ¹× Faculty instructor·Î È°µ¿ÇÏ°í ÀÖ´Ù.
¤Ñ
Á¤´Ù½½ | Dasul Jung (Piano)
Á¤´Ù½½Àº ¿¹¿øÇб³, ¼¿ï¿¹°í¸¦ °ÅÃÄ ¼¿ï´ë ÀçÇÐ Áß µµµ¶, Çϳë¹ö ±¹¸³À½´ë¿Í ÀÌÅ»¸®¾Æ À̸ô¶ó ¾ÆÄ«µ¥¹Ì¸¦ Á¹¾÷Çß´Ù. ½ºÆäÀÎ ÇÏ¿£ ±¹Á¦ ÄáÄí¸£, µ¶ÀÏ ¾ÆÇî Prix AmadéO ¸ðÂ÷¸£Æ® ±¹Á¦ ÄáÄí¸£ µî¿¡¼ ¼ö»óÇÏ°í ÀÌÅ»¸®¾Æ ºÎÁ¶´Ï ±¹Á¦ ÄáÄí¸£ ÆÄÀ̳θ®½ºÆ®, ÇÁ¶û½º ¿¡Çdz¯ ±¹Á¦ ÄáÄí¸£ ¸Þ´Þ¸®½ºÆ®¿¡µµ À̸§À» ¿Ã·Á ‘¿¹¿ø·¼¿ï¿¹°í¸¦ ºû³½ »ç¶÷’ ǥâÀ» ¹Þ¾Ò´Ù. ÇöÀç ÇѾç´ë °âÀÓ±³¼ö ¹× °æÈñ´ëÇб³, ¼¿ï´ëÇб³, ¿¹¿øÇб³, ¼¿ï¿¹°í¿¡ Ãâ°ÇÏ°í ÀÖÀ¸¸ç, ÇÁ¶û½º ¹ÂÁ÷¾ËŸ À½¾ÇÄ·ÇÁ, À¯·Î¾ÆÆ®¾ÆÄ«µ¥¹Ì ±³¼öÁøÀ¸·Î Âü¿©ÇÏ°í ÀÖ´Ù.
Àϸ®¾ß ¶ó½¬ÄÚÇÁ½ºÅ° | Ilya Rashkovskiy (Piano)
·¯½Ã¾È ÇǾƴϽºÆ® Àϸ®¾ß ¶ó½¬ÄÚÇÁ½ºÅ°´Â Æĸ® ·ÕƼº¸ Å©·¹½ºÆØ ÄáÄí¸£ 2À§, Äý ¿¤¸®ÀÚº£½º ÄáÄí¸£ 4À§, ·çºó½ºÅ¸ÀÎ ±¹Á¦ ÇǾƳë ÄáÄí¸£ 3À§, Çϸ¶¸¶¾² ±¹Á¦ ÇǾƳë ÄáÄí¸£ 1À§, È«Äá ±¹Á¦ ÇǾƳë ÄáÄí¸£ 1À§ µîÀ» ¼ö»óÇÏ¸ç ¿Õ¼ºÇÑ È°µ¿À» ÆîÄ¡°í ÀÖ´Ù. ±×´Â Å°¿¹ÇÁ ±¹¸³ ÇÊÇϸð´Ð, ¿ìÅ©¶óÀ̳ª ±¹¸³ ÇÊÇϸð´Ð, üÄÚ ±¹¸³ ½ÉÆ÷´Ï ¿ÀÄɽºÆ®¶ó µî ¼¼°èÀûÀÎ ¿ÀÄɽºÆ®¶ó¿Í Çù¿¬ÇÏ¿´À¸¸ç, ´º¿å ¸µÄÁ¼¾ÅÍ, ¸¶¸°½ºÅ° ±ØÀå, Æĸ® »ì Ç÷¹¿» µîÀÇ ¹«´ë¿¡¼ ¿¬ÁÖÇÏ¿´´Ù. ¼îÆØ°ú ÇÁ·ÎÄÚÇÇ¿¹ÇÁ ¸®»çÀÌƲ ¿¬ÁַΠȣÆòÀ» ¹ÞÀº ¹Ù ÀÖÀ¸¸ç, ¼Ö·Î¿Í ½Ç³»¾Ç ¹«´ë¸¦ ¿À°¡¸ç È°¹ßÈ÷ È°µ¿ ÁßÀÌ´Ù.